Deju Vu: Day of the Do-Over

Today is the Deja Vu Blogfest!

Organized by my good friend, DL Hammons, with Nicole Zoltack helping out this year, the purpose is simple -- to allow bloggers to revive a favorite post from the past year and give it a do-over. To offer one of their neglected, overlooked, and under-appreciated posts a new chance to shine. As DL says:

"On December 19th, anyone who decides to participate will re-post their favorite blog offering from earlier in the year, or one that you believe failed to receive the exposure it deserved." 

I considered several older posts for my Deja Vu do-over, but finally decided on this one, where I offer my first piece of music with the "Forgotten Voices" theme -- "Streak of Moonlight."  Even after two later entries ("My Name is Romance" and "The Bell Song"), I still consider this to be the 'best' one, and it remains one of my most favorite musical creations.

I hope you enjoy this (slightly edited for presentation) post from 4/8/2014:

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Streak of Moonlight

(image from wikimedia commons)

What do you know? It's been less than a month between my posts!  :)

Today I want to share with you my most recent solo, non-wikiloops, musical piece.  I call it "Streak of Moonlight".  I've uploaded it to my SoundCloud page and you can also listen to it HERE, or right from this blog by clicking on the embedded player below.  I hope you like it -- you can read more about it below...

I hope you enjoyed it!

This piece is all me -- I put together the drum tracks from editing and combining some MIDI drum loops that I found, then I added some simple keyboards, bass, rhythm guitar, more keys, lead guitars, a smattering of ambient background guitars.

But there's something else about this piece that was a new experiment for me -- hear the voices?

I've realized that the human voice can add a tremendous amount of emotion and focus to a piece. But I don't sing -- trust me on this.  So what to do?  Well, I don't want to sample vocals from another musician, and I don't want to deal with copyright infringement, and I'm not going to spend money on what's basically a hobby, and I'm still  a little too insecure about my own pieces to try and get any singers I might know to record something for me, so my choices are pretty slim...

Enter the wonder of recordings of old, forgotten radio programs -- I'll stay away from any of the well-known classics.  So hopefully in the case of the things I use, the artists involved are long gone and if there were copyrights, they've likely either expired or been shuffled through so many hands that they've essentially been lost.  Plus, at this point, what I'm doing is not a commercial endeavor -- I'm not making any money off of this.  I'm giving it away for free.  So if there were still a valid and tracked copyright that I've unintentionally infringed on by using short samples of radio broadcasts from 70 or more years ago, there are certainly little if any damages, and I will gladly give full and proper attribution or comply with any 'cease and desist' orders should they ever come my way.

So, there you go.

This piece is called "Streak of Moonlight" because the vocal samples come from a episode of a 1936 radio romance which was entitled -- you guessed it -- "Streak of Moonlight."  The snippet of strings is also from that recording.

I took my time putting together this piece.  Each layer assembled was done slowly, and I like how this turned out.  There's still some of that 'jam' feel to it (especially in the double guitars during the third lead break), but it has some nice structure to it, too, I think.  It also has a bit of a "chill" feel with some ambient, delay-heavy guitars in the background and my simplistic keyboard drones mixed in.

I really hope you enjoy this, and I'd love to know what you think.  Feel free to comment and let me know...

Thanks for listening!

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Thank you so much for stopping by during this blog-fest and re-visiting my blast from the past!

I also encourage you to visit the other bloggers taking part in today's Deja Vu blofest. There is a Linky-List at DL's blog listing all of the participants -- check it out HERE, and take a tour of all the do-overs going on around the blogosphere!

Forgotten Voices: The Bell Song

(Radio Digest from 1931 with Lily Pons on cover)

I haven't posted much music on my blog lately, but I've just finished another piece in my "Forgotten Voices" collection and I'd like to share it with you (you can also see "Streak of Moonlight" and "My Name is Romance" for the other pieces in this collection so far).

"Forgotten Voices" is based on the idea of using voices from old radio broadcasts of the 1930s as the foundation for new music I create.  I don't sing, so I think this is a fun way to get some human voices into my pieces without worrying too much about infringing on copyrights (see my BOTB post with The Verve for good reasons why it's best to avoid sampling material with protected copyrights).

In searching for some vocal material to use for a song, I came across a recording that just said it was from a radio broadcast of a piece called "The Bell Song" aria from sometime in the 1930s. I loved the haunting voice and started to build a tune around some samples from it.  I chopped and rearranged, adjusted timing, added MIDI drums, some keyboards, bass, some bell sounds, and nine or ten guitar tracks (rhythm, fills, and leads).

This piece took a long time to make, but I like how it turned out.  Take a listen and then I'll talk a little more about the source vocal samples (HERE's the link ot it at SoundCloud if the embedded player below doesn't work):

Thanks for listening!  I really appreciate that, and I hope you enjoyed what I did with this.

But, as I mentioned above about those vocal samples from the radio:

While recording this (it took a long time to put all the pieces together), I did some searching and discovered, that "The Bell Song" is actually a well-known aria from an opera called "Lakme" written by Leo Delibes in 1882. It was performed many times during the 1920s to 1940s by the famous opera singer Lily Pons. It became her "featured piece" and was strongly associated with her. She even did it in a 1935 movie starring Lily Pons and Henry Fonda called "I Dream Too Much".

And I'm pretty sure that's Lily Pons singing in the samples I've used in my re-imagined "The Bell Song".

Which this brings up the questions:

Is a "famous" singer doing a well-known aria really a "forgotten voice?"  Also, one of the points of using old radio "forgotten voices" is to avoid infringing on copyrights -- so how loose of footing am I on here?

Well, I think the first question may be valid, but it's still been around 80 years or so since the samples I used were originally recorded, and Lily's been deceased since 1976. And I think there's likely a good percentage of people who've never heard of her. So I'll give this question a, "not preferred, but acceptable" answer. While I really enjoyed making this, in general I'd much rather use truly unknown or "forgotten" voices.

As to the copyright:  That is definitely a valid question.  But after some thought and research, here's what I think.

-- With recordings, there are actually two areas of copyright.  The written song itself and the recording of a particular performance (that's why the Verve had to settle out of court twice).  Here, the actual song was written in 1882 and I'm pretty certain it's now in the public domain.  I doubt if the estate of Leo Delibes has any qualms about me using samples of the aria from his opera.

-- But the recording could be an issue.  For example, if the download I sampled was from the soundtrack of the 1935 movie, then RKO Pictures could still own the copyright or it has passed through a legitimate and legal chain of ownership since.  But after listening, I'm pretty sure the samples I've used are NOT from that soundtrack.  Plus, there are also tons of other versions of Lily Pons doing this aria out there on the Internet, and to my ears, it doesn't sound like I've used any of the ones that I found on YouTube.  Like I said, it was her "signature piece" and was performed many, many times by her.  So I'm acting in good faith that the version I've used was recorded specifically for a radio broadcast and that the origin has been lost through the years.

-- However, just because I don't know exactly where a recording of a radio program comes from it does not technically remove me from any legal obligations to the true copyright holder. But that's a risk with the whole "Forgotten Voices" concept -- In all of these songs, the original source recordings and copyrights are potentially lost through the years, and so I'm doing my best to not intentionally infringe on anyone known (or likely to even still care).

-- Also, with the "Forgotten Voices" pieces, I'm only using small samples and am clearly adding my own "new" material, So it is obvious that I'm not trying to just reissue and profit from someone else's work -- I'm hopefully adding enough of "me" that I'm creating entirely "original" material.

-- Finally, I'm also clearly not trying to profit from anyone's work because I'm not -- you know -- making ANY profit.  I'm sharing these freely and not charging a thing. This points to the "intent" of using these samples. What I'm doing may not cleanly fall under the "Fair Use," guidelines, but I'm at least definitely trying to minimize damages to any potential copyright holders who may still be out there somewhere.

So that covers my legal thoughts -- but what about my recording itself?

Well as always -- I really hope you enjoyed it, and I'm happy to hear any feedback you might care to offer.

Thanks again for listening!